She: “Baby, you are gonna miss that plane.”
He: “I know.”
Does that exchange immediately fill you with a sense of wistfulness? Then you’re probably a fan of Jesse and Celine, aka Ethan Hawke and Julie Delpy, whose insanely romantic final scene in “Before Sunset” nine years ago left moviegoers hanging — deliciously, infuriatingly, agonizingly! — and wondering if they’d ever know what came next for this hugely appealing duo.
Well, we’re finally getting the answer — and it was sure worth the wait. “Before Midnight,” the third movie in the Richard Linklater series that began with the 1995 “Before Sunrise,” is not only as good as the first two, it’s arguably better, tackling weightier, trickier issues — as in, mature everyday love — with wit, humor and breathtaking directness.
One of the unique things about this series is that the characters have aged in real time, meaning we’ve all aged with them. Not that most of us look as good in our 40s as Jesse and Celine. But still, hair is graying now just a bit, skin is wrinkling, middles softening.
More importantly, though, it’s life that looks different for Jesse and Celine. If you recall, these two had one of the more romantic cinematic hookups in recent memory in “Before Sunrise,” meeting on a train rolling through picturesque European countryside and getting off together in Vienna for a night of walking, talking, and falling in love.
They parted in the morning, with plans to meet six months later. That didn’t work out, and so after nine years of longing — and for him, an unhappy marriage and a son — they rediscovered each other in “Before Sunset.” More walking and more talking — this time in Paris — led finally to that swoon-worthy last scene in Celine’s apartment.
In “Before Midnight,” the setting is still gorgeous — it’s a summer vacation in Greece (will these two ever venture to an ugly locale?) But the rest is different. Jesse and Celine are a mature couple with twin daughters. They’ve been together nearly a decade.
A feeling of absolute authenticity comes through at the very beginning, in a simple airport farewell between Jesse and his son, Henry (a wonderfully natural Seamus Davey-Fitzpatrick), who’s been visiting for the summer.
In the long drive back to their vacation villa, Jesse and Celine converse in the relaxed, rambling way couples do, and yet we know trouble is ahead. A guilt-ridden Jesse worries about Henry — he can’t even pitch a baseball right, because he doesn’t live with Dad — and Celine worries that Jesse will force her to give up her job in Paris, where they live, and move to the States.
It seems that as life gets harder for this couple, the acting gets better. Delpy gives Celine a new hardness here, an edge that we saw only a bit in the previous film. Just watch Celine’s face freeze when a fan asks her to sign a copy of Jesse’s novel, a barely fictionalized account of their intimate life together. And Hawke is extremely effective as a man who adores his partner but is increasingly frustrated with her.
It all comes to a head in a humdinger of a fight — just Jesse and Celine in a hotel room, plus a bottle of wine that doesn’t get drunk. It gets poured, though, and you’ll be so frazzled, you’ll want to reach through the screen and chug it down yourself.
The script, co-written by director Linklater, Hawke and Delpy, is at its best here, funny and biting. What begins as a startlingly intimate love scene turns abruptly raw and bitter. The argument ebbs, then escalates again — as real fights do.
No ending spoilers here. But let’s just say there’s certainly fodder for a fourth movie. Will it be called “Before Breakfast”? “After School Pickup”? “During the Dentist Appointment”? We don’t care. We just want one. (AP)